This made finding troublesome resonant frequencies ridiculously simple, fast and intuitive, and even when I moved into using other mastering tools, I still preferred Ozone’s EQ section for my precision-repair EQ’ing purposes. My own favourite reason for using Ozone over other mastering products was the cool trick of being able to hold down the Alt/Option key and then click in the EQ display with the mouse to solo a particular frequency. One of its key advantages is having an entire suite of mastering-ready tools condensed into a single mastering plug-in. Izotope’s Ozone has become quite a stalwart of the low-to-mid-budget mastering scene over recent years. Good: Great sound, easier to use, better look and feel, some cool new features and more flexibility in multi-band modes.
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